Sunday, February 4, 2018

ART vs. FASCISM


Paula Kloczkowski Luberda "Anticipation" 

Art vs. Fascism

Fascism: A political philosophy, movement, or regime that praises nation and often race above the individual… that stands for an autocratic government headed by a dictator, with severe economic and social restrictions, and forcible suppression on all the oppose.

Please join the Honors Program and the Fine Arts Department of Joliet Junior College for a panel discussion featuring an prestigious group of speakers on the topic Art vs. Fascism. Our panel is comprised of:

PETE OLSON, Assistant Director of the Northern Illinois University Art Museum 
PAULA KLOCZKOWSKI LUBERDA, Visual Artist
KIMBERLY LUTHEN, Art Historian
CHERYL JEFFERSON, Executive Producer of Breaking Criminal Traditions and Author of “Death of a Raks Star”

Thursday, February 8, 2018 from 4-6pm
Joliet Junior College
U Building Auditorium U-1024
1215 Houbolt Road, Joliet, IL  60431

Pete Olson: will be delving into the historical context to the phenomenon of Art Against Fascism by discussing the work of Honore Daumier, whose lithographs appeared in Parisian newspapers in the 19th century. He was particularly critical of two rulers with fascistic tendencies, first King Louis-Philippe (who had him jailed) and later Napoleon Bonaparte’s nephew, Napoleon III. The audience will likely find a lot of resonance with contemporary dissent even though the particulars of 19th century French culture may be unfamiliar to them.

Fine Artist, Paula Kloczkowski Luberda will discuss corporate fascism as seen through the arts. Luberda will present a visual journey that includes some contemporary references as well as her own personal creations.

Kimberly Luthen will talk about the artistic response to modern Fascism—listing the behaviors that hallmark Fascist behavior while taking a look at Degenerate art juxtaposed against artistic satire.

Cheryl Jefferson, Writer and Executive Producer of “The Art of Influence: Breaking Criminal Traditions” will present on the related topic "From Creation to Impact." Jefferson will define how the arts are key in the fight against fascism.  She will discuss what to do once you’ve completed that brilliant painting, sculpture, novel, script, composition or choreography—to assist your work in achieving the goal of reaching the ideal audience for political impact.

Admission is Free

Sunday, October 22, 2017

Roland Kulla ~ "Industrial Strength" at ZIA Gallery



This past Friday, I drove up to ZIA Gallery in Winnetka to see the current exhibition of paintings by Roland Kulla. Unable to attend last week’s opening reception, I was excited to see Kulla’s latest work on the gallery walls.
  
Roland Kulla, Calumet Double Lift II, 40x53"

Roland Kulla has created a new series of large-scale acrylic paintings under the title of “Industrial Strength”. With a long history of utilizing the bridge as subject, Kulla begins to move past the cropped detail of abstraction to full-framed recognizable industrial landscape. But Kulla hasn’t totally discarded the abstract-complexity of industrial pattern; he has included it as a way to frame the scene. He presents a secondary subject—a speeding train or the yellow line of an unoccupied road—and surrounds it with patterns of steel. In a refreshing twist, the identifiable works are often flanked by canvases depicting just abstract pattern. Both versions offer the viewer an abundance of detail to explore.


ZIA|Gallery is located at 548 Chestnut Street in Winnetka, Illinois. The gallery hours are Tuesday through Saturday from 10am-5pm and by appointment. The exhibition continues through November 11th.
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Monday, September 18, 2017

"From Here – Desde Aqui" work by Pedro Javier Palacios and Rodrigo Montoya Ortiz at the Laura A Sprague Gallery of Joliet Junior College


Rodrigo Montoya Ortiz "Huitzil" Mixed Media

Opening Reception: Thursday, September 21st, 6:30-8pm

After I finished Grad school in the late 80’s—earning a terminal degree in Painting—I moved to Chicago’s Uptown neighborhood. It was actually Buena Park but Uptown was just across the street to the north. I lived in a secure high-rise building with a twenty-four hour doorman. It was a “changing” area. On most weekend nights, the sounds of gunshots were a substitute for the crickets of my suburban upbringing. As I explored my new surroundings, I was intrigued with the graffiti-filled walls of the neighborhood. The paintings I had been making were nothing remotely related to Graffiti, but I was fascinated with the style, or maybe just the fluid shapes, use of color and dripping paint. And then there was the rush from the implied danger. 

Living blocks from the lakefront, I had this fantasy of publishing a “call for graffiti writers”—having them meet at Montrose beach park. I would supply them with all the required materials including stretched and primed wall-sized canvases to paint as they wished. When completed I would arrange for the canvases to be exhibited in one of the high-end Chicago Galleries—elevating the perception of graffiti from vandalism to intellectual social commentary. Well, I never brought that idea to fruition but someone did. Unknown to me at the time, graffiti-inspired work had begun showing up in New York galleries—beginning in the 1980s.


As I entered the Laura A Sprague Gallery of Joliet Junior College, memories of my past were triggered. The current exhibition presents mixed media works created by Pedro Javier Palacios and Rodrigo Montoya Ortiz under the title “From Here – Desde Aqui”. The pieces range from relatively large graffiti-covered canvases to smaller digital graphic explorations that seem to reference the timely subject of immigration reform. The objects within the exhibition include ornately decorated spray-paint cans and numerous wooden found objects laced with digitally reproduced drawings of religious iconography. This sort of found and re-purposed imagery is incorporated into most of the work on display. 

Rodrigo Montoya Ortiz "Emojis" Image Cut Out, spray Paint on Spray Can

A quick read of the artist statements highlights the influences of graffiti, faith, nature and cultural heritage. The unique combination of these elements—within a single show—offer the audience an unusual challenge… attempting to decipher disjointed and fragile through-lines. The exhibition is an interesting collaboration with some beautiful—and unique—pieces. It should be explored unhurriedly.

The opening reception of “From Here – Desde Aqui” will be held on Thursday, September 21st from 6:30-8pm at the Laura A. Sprague Art Gallery of Joliet Junior College. The Gallery is located at 1215 Houbolt Road, Joliet, Illinois 60431. The exhibition will continue through October 16th. Gallery hours are Monday through Friday from 8am to 8pm.
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Thursday, July 27, 2017

Corinna Button - Interfaces



Through this Sunday…
There are only a few days before the conclusion of “Interfaces” … Corinna Button’s exhibition at the Hyde Park Art Center. If you haven’t yet experienced Button’s work, now is the time. 

Presented in the Cleve Carney Gallery of the Hyde Park Art Center located at 5020 S. Cornell Avenue—in Chicago’s Hyde Park neighborhood—Button Presents a series of both two and three-dimensional works that interpret the multifaceted experience of being a woman. 

Referencing the Cubist movement and utilizing the female form as muse, Button’s treatment of the subject often incorporates multiple angles at once—suggesting the paradox of femininity and a multifaceted existence. Utilizing layered materials with embedded textures and scratched surfaces; she alludes to the encrusted complexities of a woman's reality. With a twisted dichotomy, each painting, print and sculpture addresses the beauty that women expose to the world—with fashion and pageantry—but the work also exposes the veiled layers of a darker reality. 

This is a “must see” exhibition. The Hyde Park Art Center is located at 5020 S. Cornell Avenue in Chicago’s Hyde Park neighborhood. For additional information visit hydeparkart.org.

About CORINNA BUTTON
Influenced by German Expressionism, interdisciplinary artist Corinna Button seamlessly incorporates printmaking techniques into her paintings and ceramic sculptures. She has had more than twenty solo exhibitions and has been featured in numerous group shows and fairs across the world, including Artists Interpret Shakespeare at Elmhurst Art Museum (Elmhurst), and Chicago Invasion at Blue Rider Gallery (Taipei, Taiwan). Her artwork can be found in the public collections of the BBC, The University of Aberystwyth and the Ashmolean Museum in Oxford.

Button completed the Center Program at Hyde Park Art Center, where she reignited her interest in new techniques and forms in clay. While in Chicago (2010-2016), her practice was rooted in a studio at Zhou B Art Center. She holds a BA (honors) in painting from Leeds Metropolitan University School of Art and a postgraduate degree in printmaking from Croydon School of Art. She is an elected member of The Royal Society of Painters and Printmakers, London and currently lives and works in London, UK.



Thursday, June 15, 2017

CURATORS CREATE continues through July 7th

Installation view: Charles Gniech, Untitled 40" x 60" 

The exhibition titled CURATORS CREATE continues at the Bridgeport Art Center through July 7th. The exhibition presents a diverse assortment of work produced by ten regional Artist/Curators, including: Mary Ellen Croteau, Charles Gniech, Sergio Gomez, Stano Grezdo, Lelde Kalmite, Alan Leder, Dolores Mercado, Betty Ann Mocek, Joyce Owens and Georgia Schwender,

The Bridgeport Art Center is located at 1200 W. 35th Street in Chicago. Gallery hours are Monday through Saturday 8am - 6pm and Sunday 8am - 12 noon. Parking is free and available on the north side of the building. The gallery is located on the 4th floor. Learn more at: BridgeportArt.com

Wednesday, April 26, 2017

Igor & Marina at Zolla/Lieberman Gallery



An exhibition of paintings by Igor Kozlovsky & Marina Sharapova—better known in the art world as Igor & Marina—is currently on view at the Zolla/Lieberman Gallery in Chicago’s River North neighborhood. The show—titled Classic. Witty. Mysterious.—is a spattering of imagery, selected from various bodies of work that have been created over the past five years (2012–2017). The imagery remains consistent in technique with beautifully rendered porcelain figures presented against an array of gorgeous backgrounds—uniquely perfect for each individual canvas. Surprising symbolism is injected throughout the show.

Igor & Marina, Amulet, Oil on Canvas, 36 x 48" 

Amulet, an oil on canvas painting measuring 36 x 48”, depicts two beautifully ghostly figures—standing back to back and connected by their flowing red hair—woven together and adorned with pearls. The wonderful shapes within the background, mimics the hair's frayed loose ends. The figures become apparitions, dressed in fashionable attire covered with gridded modules of transparent pattern. Each wears an amulet around their neck as a symbol of protection from an entity that seems to blow through them. 

Igor & Marina, Detail, Amulet, Oil on Canvas, 36 x 48" 

Igor & Marina’s subjects seem to focus primarily on women and children. The paintings offer a re-imagined approach of classic paintings from which the compositions are derived. But this imagery becomes timeless through the hands of this prolific duo. The eternal characters are dressed in period fashion which at times, could vary well be surealist couture. Amazing imagery. 


Igor & Marina’s Classic. Witty. Mysterious. will remain on exhibition at the Zolla/Lieberman Gallery—located at 325 W. Huron, Chicago, Illinois—through May 20th. Additional information may be found at: zollaliebermangallery.com or by calling 312.944.1990
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Saturday, April 22, 2017

Yale Factor: "4 Decades" at the Zhou B Art Center



In the mid 1980s, I was studying Illustration at Northern Illinois University. To my recollection, the program offered two professors with which to work… Jay Paul Bell and Yale Factor. Both were amazing father figures who had high expectations of their students and—as with most children—the students never wanted to disappoint them.

As well as being talented Illustrators, both Jay Paul Bell and Yale Factor were—and continue to be—fine artists. For most of his career, Bell has been producing beautiful large-scale paintings of rural landscape… not too strange considering NIU’s cornfield location. But Factor has moved through numerous subjects of passion—from beautiful graphite renditions of faces, to obsessively complex painted landscape, and personalized still life compositions that play with the viewer’s sense of reality. The work of Yale Factor presents a compulsively detailed exploration of the subject. And for the past five weeks, the evolution of Factor's career has been on display in a retrospective titled “4 Decades” at the Zhou B Art Center in Chicago. 

Yale Factor "Ruminations of a curious mind"

I visited the exhibition last night. It was beautifully staged with a central alter of paintings, which I believe were produced in the 80s. They offered ridiculously detailed, old-world renditions of the acquisition of knowledge… Opened books presenting scientific illustrations accompanied by various lab specimens, or wrinkled roadmaps defining a journey intertwined with unique personalized objects. The paintings are intriguingly unique. 

Yale Factor

But as I explored the room, I found—on an exterior wall—an intimate study of a gasping piranha. I was intrigued with this image: A beautifully rendered powerful animal, struggling to breath…mouth open exposing its razor sharp teeth—body wrenched… searching for the water from which it was taken. The incident takes place against a soft-focus surreal achromatic background—perhaps an oil stained beach or haze induced sky. Conceivably a comment on the current global climate crisis? 

The exhibition closed last night during a “Third Friday” event but the opportunity to view Factor’s work remains. He has a studio/gallery within the Zhou B Art Center, located at 1029 W. 35th Street in Chicago, Illinois 60609. Contact him at: yalefactor@gmail.com, or by phone at: 815.762.5243